A few years ago, during a critique session on my
MA in Creative Writing course, a fellow student pointed out that I often
described what my characters were wearing in some considerable detail. This
wasn't a criticism as such, she said, but just something she'd noticed. (We’d
had a lot of lessons together as this point) Her own short stories were a completely
different style to mine - much more abstract - and she said reading my work
made her go back and check that her characters were in fact wearing clothes.
That she wasn't inadvertently writing stories with naked people in them.
I was thinking back to this conversation while
(trying to) write the sequel to The Englishman, but being constantly distracted
by email offers from various online fashion stores. Because, as you may have
noticed by now, I am a bit of a fashion addict. Not that I pretend to know
anything about fashion, but I love looking at designer clothes.
But I digress. What I wanted to know is, is it
important to describe what the characters in a book are wearing?
Obviously, I think so.
What she or he wears says so much about a
person, doesn’t it? I don’t wish to put my characters into in neat little boxes
according to their clothes (a caricature is a dirty word in writing circles), but
I think it’s fun to describe the nuances of a character by their outfits.
In The Englishman, for instance, I needed Kaisa
to immediately fall head over heels in love with Peter, so I gave him a sexy
uniform to wear when they first meet. (OK, this part of the book was based on actual events, so I
didn’t make it up, but you see what I mean?).
In Coffee and Vodka, I described the different characters
of the two sisters, Anja and Eeva, in the way they carried their clothes. Anja is a much more flamboyant and confident
girl, while Eeva is a bit of a dreamer and less sure of herself. When the two
girls were dressed by their mother in identical stripy Marimekko t-shirts and
white trousers, for their ferry journey across to Sweden, Anja’s outfit made
her look like a young Brigitte Bardot, while Eeva felt her clothes were too big
for her, and shapeless.
In The Red King of Helsinki, Iain, the English
naval officer turned spy, struggles to wear clothes warm enough for the harsh
Finnish winter, while my seventeen-year-old sleuth, Pia, is highly fashion
conscious. Pia’s clothing oozes confidence while Peter’s lack of weather
awareness shows a worrying level of incompetence.
Of course clothes and the fashions of the time
serve well in reminding the reader of the period the book is set in. Because the story in Coffee and Vodka straddles
two eras, it was important for me to dress Eeva appropriately when we meet her as a grown-up (professional, compassionate teacher of Swedish). Later I also
use her clothes to show how her attitude to herself and to the people around
her change. I won’t reveal any more of the plot, because I don’t want to spoil the ending,
but if you’ve read the book, I’m sure you’ll see what I mean.
So, while I’m just nipping over to Net-a-Porter
to check out today’s new arrivals, instead of writing, I’ll be secure in the
knowledge that this is just research, and not at all a pleasure...
What do you think? Is it important to know what
the characters in a book are wearing?
 |
What kind of character
would wear this Miu Miu spotted coat?
Image: www.netaporter.com |
