Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Saturday, 24 October 2015

Suffragette, James Bond, Ab Fab and The Lady in the Van...films, films, films

I love this time of the year when the best films are released, the weather is getting colder, and going to the cinema is just what you want to do.

Near us in Muswell Hill, Everyman Cinema has began refurbishing the old Odeon, with new sofas and a lick of paint. Although it's far from finished (there are planning issues), or being the quality of Everyman cinemas in Hampstead or Belsize Park, it's already better than the old, freezing flee pit.

Daughter and I went to see Suffragette there this week, and we both really enjoyed the film with Helena Bonham-Carter and Carey Mulligan, and with a brief but inspiring appearance by Meryl Streep. I was, however, highly disappointed that they'd failed to mention Finland as one of the first countries in Europe to give women the vote (already in 1906) during the roll call at the end. Harrumph!


I'm also really looking forward to seeing the new Bond film. I know it's overly commercial, and complete escapism, and shouldn't really even be mentioned in the same blog post with Suffragette, but Bond is my guilty pleasure, and I cannot wait for next week when Spectre is on general release.

Talking of guilty pleasures, another film that may not be as good for the intellect as it is for the soul, is the new Absolutely Fabulous: The Movie. Fox and the BBC released some information and a picture of the forthcoming film this week. Jennifer Saunders and Joanna Lumley as Edina and Patsy escape a media storm resulting for a major incident at an uber fashionable launch party, to the French Riviera, where they hatch a plan to live the high life for ever more. I have to wait a few months before the release, but one thing is certain - I'll be desperate to see this film when it's finally out.


Alan Bennet's The Lady in the Van is out in the UK a bit sooner, on November the 13th. With Maggie Smith in the title role, how can this be anything but brilliant? Here's the trailer, enjoy!

 

Tuesday, 15 September 2015

Suffragette Season at the Houses of Parliament in London


I've been looking forward to this film ever since it was announced about a year ago that 'Suffragette' would star Carey Mulligan AND Meryl Streep, AS WELL AS Helena Bonham-Carter, and that parts of the action would be filmed at the Houses of Parliament. 
And now, to celebrate the release of this British film, the Houses of Parliament is running a 'Suffragette Season' of special events and themed tours this October. I can't wait to attend one of these.

HOUSES OF PARLIAMENT ANNOUNCES A ‘SUFFRAGETTE SEASON’ OF SPECIAL EVENTS AND TOURS IN OCTOBER 2015 – TICKETS NOW AVAILABLE
Directed by Sarah Gavron and starring Carey Mulligan and Meryl Streep, the film 'Suffragette' was inspired by the true stories of the foot soldiers of the women's suffrage movement and their fight for the right to vote.
'Suffragette Soirée' on Wednesday 7 October 2015 at 6.30pm
Go back in time to meet Suffragettes and other suffrage activists, see ‘behind the scenes’ and discover moments of history in the 'Votes for Women!' movement.
Enjoy a truly unique Suffragette-themed tour of the House of Commons followed by a convivial three course dinner in the elegant Members’ Dining Room. The House of Commons' chefs have adapted the menu from a public banquet chaired by Emmeline Pankhurst on Friday 12 May 1911 and given it a modern twist.
The 1911 banquet was in honour of the Lord Mayor of Dublin and the Lady Mayoress and marked their visit to London to present the Petition of the Corporation of Dublin in support of the Woman Suffrage Bill at the Bar of the House of Commons.
Tickets for this one-off dining event are £97, booking by phone only on 020 7219 4114.
'More than Suffragettes' Talks and Tour on 8 and 9 October 2015 at 2pm
Following a 30 minute introductory tour including the Lords Chamber and Commons Chamber, visitors will hear about the campaign by suffragettes and suffragists for the vote in Parliament and how Parliament remembers this campaign today. The speakers are Mari Takayanagi from the Parliamentary Archives, Melanie Unwin from the Parliamentary Art Collection and Mary Branson, Artist-in-Residence to women’s suffrage.
Tickets are £25, bookable online at www.parliament.uk/suffragette-season or by phone on 020 7219 4114.
‘Votes for Women!’ Family Tours on Saturday afternoons in October at 2pm and 3pm
Designed especially for families visiting Parliament, the afternoon begins with a 45 minute tour through the House of Lords and the House of Commons followed by a range of optional Votes for Women-themed activities. The 'Votes for Women!' family tours are ideal for children aged 7 and over.
Tickets are free for children and £10 for adults, bookable online at www.parliament.uk/suffragette-season or by phone on 020 7219 4114.
‘From Petitions to Prime Minister: A Short History of Women in Parliament’ on Saturday afternoons in October at 1pm
Led by a ‘Blue Badge’ guide, Parliament’s regular guided tour through both Houses has been adapted to focus on the journey from early petitioning about women’s suffrage through to the UK’s first (and so far) only female Prime Minister and the prominent role of women in Parliament today.
Tickets are £25, bookable online at www.parliament.uk/suffragette-season or by phone on 020 7219 4114.

Thursday, 21 May 2015

Moomins on the Riviera out in UK cinemas tomorrow!


I wrote about this wonderful new animated Moomintrolls film (here), when it was featured in the London Film Festival last autumn. At that time the film only got two showings here in the UK, but now at last it'll be on general release from tomorrow onwards.

So if you are a Moomin fan, or just fancy a feel-good film about life, love and family, go and see this fantastic film. Its funny, its heartbreaking and beautifully hand-drawn, whilst still being faithful to Tove Jansson's original artwork.

Time Out gives the film 4 stars, and The Guardian too is waxing lyrical about this Finnish/French production.

Friday, 31 October 2014

Moomins on the Riviera to be on general release in the UK

Vertigo takes Moomins for UK

Indie Sales handles rights to Moomins On The Riviera; UK release planned for May 2015.
Vertigo has acquired UK rights to Moomins On The Riviera from Paris-based sales company Indie Sales.
The hand-drawn 2D animation feature, directed by Xavier Picard, recently played at the BFI London Film Festival and is already a huge box-office hit in its local Finland.
The film is adapted from Tove Jansson’s original comic strips, and tells the story of the Moomin clan on a journey to the glamorous Riviera where they meet a world of new people including would-be artists, film stars and playboys.
The creative team behind the movie includes Sophia Jansson, Tove’s niece, along with Finnish producer Hanna Hemila (Le Havre).
The voice cast for the English-language version of the film includes Russell Tovey as Moomin and Nathaniel Parker as Moominpappa.
Vertigo’s Rupert Preston and Nicolas Eschbach of Indie Sales negotiated the deal.
Eschbach said, “Moomins on the Rivera are in good hands. Vertigo are the kings of releasing family films in the UK!”.
Preston said, “We are thrilled to be bringing the Moomins to UK audiences – they have a huge fan base here and both adults and children will love the movie.”

Vertigo’s upcoming slate also includes Susanne Bier’s A Second Chance, Tom Green’s Monsters: Dark Continent,and Jo Nesbo’s Doctor Proctor’s Fart Powder.  

Article first published on Screen Daily, by Wendy Mitchell

Friday, 29 August 2014

'MOOMINS ON THE RIVIERA’ CAST ANNOUNCED


I am so excited to be able to share the English-speaking cast of this new Moomin film, announced in Helsinki today, with you. I'm particularly excited about Russell Tovey and the local North London stand-up comic, Dominic Frisby. I cannot wait to see the film!

The hand drawn animation feature Moomins on the Riviera’s English cast is revealed:

Award winning British actor Russell Tovey (The Pirates! Band of Misfits, Grabbers, Being Human, Him and Her) plays Moomin. Nathaniel Parker (Merlin, Stardust, The Haunted Mansion, The Chronicles of Narnia: The Voyage of the Dawn Treader) and Tracy Ann Oberman (EastEnders, Filth) play Moominpappa and Moominmamma respectively. Stephanie Winiecki, in her first major movie role, plays Snorkmaiden. 
The irrepressible Little My is played by Ruth Gibson. Philippe Smolikowski is Moominpappa’s new best friend, the wannabe artist, Marquis Mongaga. Dave Browne plays the upper-crust playboy Clark Tresco, who sets his sights on Snorkmaiden. Shelley Blond (Tomb Rider video game, Cruise of Gods) plays Audrey Glamour, the Hollywood actress, idolised by Snorkmaiden.
Other roles are played by Dominic Frisby (The Inbetweeners Movie), Ian Conningham, Alison O’Donnell, Bernard Alane, Bruno Magnes, Maria Sid, Beata Harju, Andy Turvey, Kris Gummerus, Glyn Banks, Lee Willis, Sanna-June Hyde, Christopher Sloan and Leslie Hyde.
You can watch the English trailer at:

MOOMINS ON THE RIVIERA, based on the original comic strips by the celebrated author, painter and illustrator Tove Jansson, is a bitter-sweet adventure taking the Moomin familyfrom their beloved Moominvalley to the glamorous Riviera, where Moominpappa befriends an aristocrat and adopts the name ‘de Moomin’,  where Snorkmaiden is dazzled by the attentions of a playboy and Moomin learns that jealousy’s sting is the most painful of all. For the very first time, the unity of the Moomins is threatened.
A Finnish/French co-production, the film is directed by Xavier Picard and produced by Hanna Hemilä.                

Sunday, 2 March 2014

Two Finnish hopefuls at the Oscars

The 2014 Osacr winners will be revealed tonight and this year there are couple of  (nearly) Finnish entries.

Do I Have to Take Care of Everything? (Pitääkö mun kaikki hoitaa?) by Selma Vilhunen and Kirsikka Saari is up for best short film. This is the first Oscar nomination for these two Finnish film makers for a story which centres around Sini, who tries frantically to get her family ready to leave for a wedding, but her husband and two children are interfering with her efforts.

Director Selma Vilhunen and screenwriter Kirsikka Saari.
Photo by Kevork Djansezian/Reuters

The second Finnsh connection to the Oscars this year is Heather Puuruen Loeffler, who is up for set decoration on American Hustle directed by David Russell (which is also up for Best Film). Heather is not actually from Finland, but is married to Finnish architect Eero Puurunen. This doesn't seemed to have stopped the Finnish press from adopting Heather as their own.


'I ordered the shag pile carpet from an online store, and potted large plants were very popular in the 1970's. We even had one at home. The hippo stool is my favourite,' says Heather Puurunen in today's Helsingin Sanomat.


Sunday, 21 October 2012

James Bond is everywhere in London


I have to admit to being a bit of a Bond fan. I grew up with Roger Moore as the Bond, and have since had difficulty in thinking anyone else can be as good as him in that role (I know, I know, Sean Connery was the original but I'm too young  - ahem - to remember him). But, our current Bond, Daniel Craig is doing a pretty good job to win me over. He's so much more edgy than the Bonds of my youth. As the Telegraph Magazine yesterday said, 'There's a real sense that this man is burning up from the inside.' How true (shivers down my spine).

So I cannot wait till Friday when I'll be seeing Skyfall. Not only because it's a new Bond film, or because Craig is such a dish, but also because my current near-obession, the Swedish actor, ex-husband of Girl with the Dragon Tattoo-famed, Noomi, Ola Rapace also stars in Skyfall. Such a shame he's playing a baddie…although, perhaps that's a good thing…(more spine tingling).

Ola Rapace in Syfall. Photo: Aftonbladet.se 





Wednesday, 3 October 2012

Like mother like daughter...


Daughter, who's featured on this blog a few times before, has now become a blogger in her own right. (It feels very strange, I can tell you!)

Using her pen name, Shmonn, she writes about film, her great passion (while mine is theatre…apple not so far from the tree..) in a very fresh and modern way. Although I may be a little biased, I think she's funny and very talented.

Go and see how the second generation of bloggers do it on Music from the Motion Picture by Shmonn.


Wednesday, 5 September 2012

Three films I want to see this autumn

One of the reasons I like September, and autumn in general, is that after a long, hot summer (ok, perhaps not in the UK) it's again time to go to the cinema. During the summer months it doesn't somehow seem right to step into a darkened room and spend two hours watching a large screen. But when the schools go back, and the evenings draw in, there's nothing better than to settle into a plush seat and let moving images take you away from the impending cold and dark winter.

There are three films which I'm really looking forward to this September.

Number One is Hope Springs with my eternal favourite, Meryl Streep. It also stars Tommie Lee and Steve Carrell.

Many years of marriage have left Maeve wanting to spice things up and reconnect with her remote husband. When she discovers a famed relationship guru she persuades her skeptical husband to get on a plane for an intense week of marriage and sex therapy. A bit of a job to say the least! And if getting there wasn't hard enough… having to shed their bedroom hang ups, learn some new moves and rediscover their youthful spark is when the real adventure begins.



Second is Barbara, a German film directed by Christian Petzold, who also wrote the screenplay. It stars Nina Hoss, Ronald Zehrfeld and Rainer Bock. Barbara is set during the paranoid times of the GDR. I love this period (even my book, The Englishman is set during the Cold War), so this film is right up my street.

Nina Hoss is Barbara, a young doctor starting a new job at a small hospital in the provinces. It transpires she has been transferred there by the government as punishment for applying for an exit visa from the GDR. Her aim is to escape to the West to join her boyfriend Jörg who has been planning her escape via the Baltic Sea. Barbara, detached and self-contained, keeps her head down and gets on with her work, despite being subjected to random home checks and intrusive body searches. However, as the weeks go by, she becomes both beguiled and confused by the attentions of her new boss, Andre. Can she trust him, or has he been assigned to keep tabs on her?




Number Three is Arbitrage, a thriller starring Richard Gere and Susan Sarandon and directed by Nicholas Jarecki. You just can't go wrong?

A troubled hedge funder desperate to complete the sale of his trading empire makes an error that forces him to turn to an unlikely person for help.



What films are you looking forward to seeing this autumn?

Thursday, 31 May 2012

A Royal Affair - a new Danish film


A few years ago an award-winning Swedish novelist, Per Olov Enquist, wrote The Visit of the Royal Physician dramatising the true story of an illicit affair between the mad King Christian's physician and the English born queen of Denmark, Caroline Mathilda. In the early 1770's the love affair triggered one of the most dramatic series of events in Danish history. Enquist's book won many literary prizes and became a best-seller in Sweden, and I have been raving about it for years.

So you can imagine I was both sceptical and excited to be invited to a pre-screening of the first ever film version of the story.

A Royal Affair begins with an older Queen Caroline, sitting at a desk alone, writing a letter to her estranged children. Next we go back in time and see her at the age of sixteen, when she is preparing to leave her native England to travel to Denmark. She is delighted to be fulfilling the role of a Queen, something which she's been prepared for all her life - yet she's fearful she'll not be accepted in the foreign court.

Caroline is played by Alicia Vikander, who immediately charms the viewer with her beauty and vunerlabilty. Yet, you have a sense that behind this weakness lies a strong character. I very much liked Vikander in the role. She was given very few lines all throughout the film, but with her expressions and movements, she was able to convey how a woman in her position - a young, naive girl thrown into the murky politics of a foreign court - was little able to change her position. Until, that is, love of a great man, gives her hope and strength.

Alicia Vikander and Mads Mikkelsen
The other party of the fated love story, the Physician Johann Struensee, is played by Mads Mikkelsen (of Bond film, Casino Royale fame). Struensee is a man who believes in the Enlightenment. He has written anonymous papers on Equalitarianism and social welfare. Mikkelsen, who is supposed to portray the idealistic and kind Doctor, seems at first too rough and (dare I say it) too old for the part of the romantic male lead. But when Struensee falls in love with Queen Caroline and shows her what he is willing to do to reach his aims for a better Denmark, Mikkelsen's demeanour softens. He just exudes steamy sexiness as his desire for the young, unattainable Queen grows.

As the two lovers gain political power and begin to reform the Danish society, their combined sense of innocent hope is infectious - yet there's a strong feeling that all will not end well.

The script written by three writers, amongst them the Director Nikolaj Arcel, is composed well enough. The narrative hints at the historical events without being too obscure or patronising the viewer with too may facts and dates. The characters develop nicely, and more importantly they don't seem to be 21st century people stuck in 18th century costumes, as often is the case in period dramas.

However,  the pace of the two hour long film is slow. Arcel drew his inspiration for A Royal Affair from the great epic films of the 40' and 50' when 'films would often feel like literary works, which didn't necessarily follow an obvious screenplay roadmap'. This method, however, leaves the viewer at times without any direction; a lingering look at a sweeping landscape was probably acceptable some 60 or 70 years ago, but today, when we can download almost any film in minutes to watch on our iPads, it makes the viewer shift in his seat. I felt there were too many shots of Queen Caroline's graceful neck, and the camera was held for a little too long on the peaceful Danish flatlands.

But all in all, this is a very enjoyable film. It's atmospheric and smouldering, with excellent acting throughout. Even the predictably nasty old Queen Julianne played by Trine Dyrholm, was a wholly believable character. Her constant plotting against Queen Caroline gave the film its Machiavellian flavour, and kept the audience on its toes.


I predict (as far as you can ever predict) A Royal Affair will do well at the box office. How could it not? It's Danish, it has period costumes, there's sex, intrigue and even madness. Anyone who's been hooked on The Killing, Borgen or the latest, hugely popular, TV detective series, The Bridge, will love A Royal Affair.


Here's the trailer:


A Royal Affair
Zentropa Entertainment
In cinemas 15 June 2012

Friday, 30 December 2011

The Girl With The Dragon Tattoo


I was very sceptical about watching a Hollywood version of the first book in the wonderful Millennium trilogy by Stieg Larsson.  Although I felt the Swedish films left a lot to be desired, mainly because the plot of the books was completely mixed up between the three films, they had some authenticity as films made in the country where the crime novels originated from. Watching the whole action in English would surely take a huge amount away from the Swedish atmosphere?

I also absolutely loved Noomi Rapace as Lisbeth Salander in the three films by Oplev. She seemed to capture Lisbeth's complicated character - and she spoke Swedish. (As aside, I've yet to forgive the actress for leaving her lovely husband, Ola, just because she's become the more successful actress - or at least this is what the gossip magazines in Sweden cite as the reason for the couple's marriage breakdown and I believe them...).

But as the opening credits rolled on The Girl With The Dragon Tattoo, I got a feeling that this version by David Finch could be quite good.



And I was right. The relatively unknown actress who portrayed Salander, Rooney Mara, was absolutely brilliant. She completely nailed Lisbeth as the distrustful, vulnerable, yet talented and confident modern sleuth with some serious issues with the 'perfect' Swedish society she inhabits. Lisbeth's apparent lack of social graces became both tragic and funny in Mara's skilled acting hands. There is a moment when watching Blomqvist work his laptop, she shuts her eyes in frustration at his slow speed at the keys. It was both funny and sad.

Just as when reading Larsson's first book, during this first film we all completely fell in love with Lisbeth. We felt sorry for her, we admired her, we worried for her.

The rest of the cast - apart from a couple of dodgy, faintly German-sounding, accents - weren't bad either. Daniel Craig is on top of his game; he totally sold his version of Blomkvist to me. My only beef with the accents was a minor one. Although I wondered why the director felt the need to have any accents at all - neither Craig as Blomkvist or Mara as Salander have Swedish accents. Perhaps the Swedish cast, led by Stellan Skarsgård as Martin Vanger, couldn't do the mid-Atlantic English? I highly doubt it.

In any case, the story's authenticity did not suffer from this lapse in accent discipline, especially as the film was obviously shot in Sweden. In the final scene we even get to Blomkvist's Stockholm stomping ground in Söder, something I was gladdened by.

I now cannot wait for film two in the trilogy. Larsson's second book, The Girl Who Played With Fire is my favourite, mainly I think because it's set in Stockholm, near Blomkvist flat on Bellmansgatan. There is nothing like reading a book, or watching a great adaptation of a favourite book which is set in a city where you grew up. And I hope the disappointing viewing figures in the USA aren't going to stop the sequels. Now that really would be a tragedy.


So if you, like a few other million readers, loved Stieg Larsson's books, do go and see this film. It won't take away from the magic of the novels, on the contrary, it'll add another dimension to the story.

Wednesday, 9 February 2011

London life: Sunday night is movie night


I've written before about how, when we moved up to London from the country, we promised ourselves that on every Sunday night we'd go to the cinema. In spite of an initial poor start to this plan, we've recently seen a few more films.

Last weekend it was Barney's Version, a film which wasn't exactly top of my 'must see' list, but when we eventually got around to booking tickets at the fantastic Everyman Cinema in Hampstead, this film was the only one with seats available for our favourite five pm showing.  

And even though this is not a film that you'd rave about, it's a pleasant way to spend two or so hours. The performances by Dustin Hoffman as Barney's uncouth ex-cop father, and Rosamund Pike, as the love of Barney's life, were particularly good. Paul Giamatti in the title role was also excelled. I loved him as John Adams in the TV series and at first had difficulty in imagining him as a raucous 20-something instead of an honourable American president, but I soon got over that hurdle - the first drunken scene made sure of it.

The story of Barney's Version basically centres around a TV producer, Barney, whose life is characterised by his impulsive nature. Sometimes this is a good thing (when he meets and woos Rosamund Pike) and sometimes it gets him into trouble (he gets married three times). What I was most impressed with was the make-up, however. I don't know anything about it, but to me it was incredible how natural the cast looked as their young, middle-aged and old selves. Usually when an actor is made to look old (or young) on screen, you can spot the silicone (or whatever it is they use) on their faces a mile away, but in this film the young looked young and the old were old very naturally. 

This week I'm not sure we'll manage a Sunday night cinema because I'm going to see three plays before that (including Children's Hour at the Comedy Theatre, which as a fan of Mad Men and Elisabeth Moss I'm very excited about) It means we're out both Friday and Saturday nights. But if we are up for it, I think I'd like to see Brighton Rock this coming Sunday.

Photograph: c.Everett Collection / Rex Features
Another film that's caught my eye is Archipelago. It's not going to be released until 4th of March, but having seen the trailer it looks very Bergmanesque. And this from a British female director! Joanna Hogg's latest film is set in the Scilly Isles and whether it is the bleakness of the cinematography, or the documentary style of her direction, but I really felt I could have been watching a film by the old Swedish master himself. I'm obviously yet to see the whole thing, so watch this space; I'll be reporting back when it's out.

Photo from www.bfi.org.uk
Doesn't this picture from the film look like a scene from, say Autumn Sonata by Bergman? 

Liv Ullmann and Ingrid Bergman in Autumn Sonata 1978
There's an interesting interview with Joanna Hogg (in which she looks gorgeous!) in this month's Vogue. I haven't seen her debut film, Unrelated, but I'll be looking out for it on the TV listings, or I might even buy the DVD if it's out.